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Displaying 625-648 of 19,538 Works

  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 1587

    Alexander Farnese, Duke of Parma

    c.1601-03
    engraving on paper
    Accession no: 097G1353
  • Salvator Rosa 1615 – 1673

    Alexander in the studio of Apelles

    c.1662
    etching, drypoint on paper
    Accession no: 4910G207
  • Sir Daniel MacNee 1806 – 1882

    Alexander Murray, M.P., J.P.

    1828
    oil on wood panel
    Accession no: 0.2004
  • Philipp Kilian 1628 – 1693

    Alexander VII, Pont. Max.

    c.mid-late 17th century
    engraving on paper
    Accession no: 097G1504
  • attributed to Joseph (Giuseppe) Wagner 1706 – 1780 or 1786 , after Jean-Jacques Flipart? 1719 – 1782

    Alexander Zenus

    18th century
    engraving on paper
    Accession no: 084G1526
  • attributed to John Jabez Edwin Mayall 1810 – 1901

    (Alexandra, Princess of Wales?)

    c.1863
    albumen-silver photograph (carte de visite)
    Accession no: 200111Ph16.4
  • Jan Sadeler I 1550 – 1600 , after Maarten de Vos 1532 – 1603

    Alferius

    1598
    engraving on paper
    Accession no: 097G540
  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 1587

    Alfonso II, Duke of Ferrara

    c.1601-03
    engraving on paper
    Accession no: 097G1350
  • Walter Ebatarinja 1915 – 1968

    Alhekulyela (Mount Gillen), Northern Territory

    c.1950s
    watercolour on paper
    Accession no: 20027P43
  • Ben Quilty 1973

    Ali Jaffari

    2017
    oil on linen
    Accession no: 20183P73
  • Khai Liew 1952 – 2023

    Alice and Friend in Wonderland

    2020
    Queensland blackbean (sp. Castanospermum)
    Accession no: 20213F1
    On display, Gallery 6
  • Andre Adophe-Eugene Disderi 1819 – 1890

    Alice, Princess of Hesse

    c.1862
    albumen-silver photograph (carte de visite)
    Accession no: 200111Ph16.6
  • Joyce Waterhouse 1887 – 1966 , Harley Telford 1876 – 1953 , Keen 19th - 20th century

    Alice Springs

    1931
    gelatin-silver photograph
    Accession no: 20114Ph13.2
  • Joyce Waterhouse 1887 – 1966 , Harley Telford 1876 – 1953 , Keen 19th - 20th century

    [Alice Springs houses]

    1931
    gelatin-silver photograph
    Accession no: 20114Ph13.124
  • W. Fisher 19th century

    Alice Springs Station

    1875
    pencil on paper
    Accession no: 993D6
  • Ian W. Abdulla 1947 – 2011

    All about rabbitin' on a Sunday

    1988
    colour screenprint on paper
    Accession no: 901G1
  • Walter G. Light active c.1849-1855

    All Gone!!

    c.1855
    pencil on paper
    Accession no: 20033D2(33)
  • Charles Conder 1868 – 1909

    All on a summer's day

    1888
    oil on wood panel
    Accession no: 20067P59
    On display, Gallery 3
  • Peter Deckers 1953

    All one; together alone

    1996
    silver, various precious and non-precious stones and found materials
    Accession no: 20172A159
  • Voitre Marek 1919 – 1999

    All secrets remain hidden

    1956
    pen & ink on photographic paper
    Accession no: 996D18
  • Jan Billycan c.1930 – 2015

    All the Jila

    2004
    synthetic polymer paint on canvas
    Accession no: 20182P10
  • Fiona Hall 1953

    All the King's men

    2014/2015
    knitted military uniforms, wire, bone, horns, teeth, dice, glass and mixed media
    Accession no: 20154S27(1-18)
  • Francisco Goya 30 March 1746 – 16 April 1828

    All will fall

    1797/1798
    etching, burnished aquatint on paper
    Accession no: 807G37
  • William Yang 1943

    Allan

    1990
    19 gelatin-silver photographs
    Accession no: 20192Ph1(1-19)
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.