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Displaying 8,401-8424 of 19,539 Works

  • Alison Milyika Carroll 1958 , Ernabella Arts Inc est. 1948

    Minyma kutjara #1 (Two sisters)

    2011
    terracotta, terra sigillata, slips, sgraffito
    Accession no: 20117C20A
  • Kunmanara (Eileen Yaritja) Stevens c.1915 – 2008

    Minyma Kutjara munu Wati Kutjara

    2008
    synthetic polymer paint on canvas
    Accession no: 20082P9
  • Naomi Kantjuriny 1944

    Minyma mangka karangki (Woman with the crazy hair)

    2010
    raffia, minarri grass, wool, feathers
    Accession no: 20109A73A
  • Tuppy Goodwin 1952

    Minyma Pumpa

    2010
    synthetic polymer paint on linen
    Accession no: 20106P25
  • Estelle Hogan 1937 – 2017 , Myrtle Pennington 1939 – 2022 , Tjaduwa Woods c.1954 et al.

    Minyma Tjutaku

    2009
    synthetic polymer paint on linen
    Accession no: 20097P45
  • Kunmanara Stanley 1938 – 2020

    Minyma, wali, tjukula, munu wala (women and their camps, waterholes and drainage channels)

    2004
    synthetic polymer paint on canvas
    Accession no: 20051P4
  • Barbara Hanrahan 1939 – 1991

    Miracle modess

    1985/1986
    linocut printed in black & red inks on paper
    Accession no: 972G29
  • Unknown

    Miracle wheat

    c.1910
    glass plate negative (dry plate)
    Accession no: 20041RJN4823
  • Unknown

    Miracle wheat

    c.1910
    glass plate negative (dry plate)
    Accession no: 20041RJN4824
  • Unknown

    Miracle wheat

    c.1910
    glass plate negative (dry plate)
    Accession no: 20041RJN4822
  • Barbara Hanrahan 1939 – 1991

    Miranda

    1960
    lithograph on paper
    Accession no: 905G82
  • T W Cameron

    Miranda line, Cairns

    1898/1819
    lantern slide
    Accession no: 20041RJN6486
  • Grace Crowley 1890 – 1979

    Mirmande

    1928
    oil on canvas
    Accession no: 819P52
  • Dorrit Black 23 December 1891 – 1951

    Mirmande

    1928
    oil on canvas
    Accession no: 0.1170
  • England

    Mirror frame

    1660/1685
    threaded glass & bone beads embroidered on linen, silk hair, painted wood, mica, gilded wood frame, mirror glass (replacement of original)
    Accession no: F113
    On display, Gallery 15
  • Tom Moore 1971

    Mirror King

    2018
    hot joined blown and solid glass, silver leaf, mirror
    Accession no: 20194C69A
  • Utagawa Kunisada 1786 – 1865

    Mirror of the heroes of the Taiheiki (Taiheiki eiyū kagami)

    c.1866
    woodblock print, ink and colour on paper
    Accession no: 401G22
  • Rick Amor 1948 , Gary Catalano (poet) 1947 – 2002

    Mirrored images

    1993
    folio comprising title page, contents page, six single sheet woodcuts and six single sheet hand type set poems, woodcut and letterpress on paper
    Accession no: 20155G144(a-n)
  • John Brack 1920 – 1999

    Mirrors and scissors

    1966
    etching on paper
    Accession no: 6711G35
  • Giuseppe Maria Mitelli 1634 – 1718

    Miser

    1675
    etching on paper
    Accession no: 084G2125
  • Barbara Hanrahan 1939 – 1991

    Misericordia!

    1982
    wood-engraving printed in black ink, screenprint printed in red ink on paper
    Accession no: 972G21
  • Thomas Rowlandson (engraver) 1756 – 1827 , George M. Woodward (after)

    Miseries of human life

    1771/1718
    etching, hand coloured with watercolour
    Accession no: 362G32
  • Utagawa Hiroshige 1797 – 1858

    Mishima (Mishima)

    1840/1842
    woodblock print, ink and colour on paper
    Accession no: 20054G31
  • Saul Solomon 1836 – 1929 , The Adelaide School Of Photography

    Miss Adams of North Adelaide

    c.1880
    albumen-silver photograph (carte de visite)
    Accession no: 20041RJN646
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.