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Displaying 841-864 of 19,539 Works

  • Paul Foelsche 1831 – 1914

    Ant hills

    1880/1819
    glass plate negative (dry plate)
    Accession no: 20041RJN4116
  • Hermannsburg Potters est. 1990 , Elaine Kngwarria Namatjira (potter) 1962

    Ant jar

    1996
    earthenware
    Accession no: 965C40A(a&b)
    On display, Gallery 6
  • Kunmanara (Ngupulya) Pumani 1948 – 2019

    Antara

    2018
    synthetic polymer paint on linen
    Accession no: 20202P12(a-c)
  • Sidney Nolan 1917 – 1992

    Antarctica

    1964
    oil on composition board
    Accession no: 20202P2
    On display, Gallery 5
  • attributed to Samuel Sweet 1825 – 1886 , or Joseph Brooks 1847 – 1918

    Anthill, Northern Territory

    1869
    albumen-silver photograph
    Accession no: 20009Ph16
  • Eric Thake 1904 – 1982

    Anthill women

    1948
    watercolour on paper
    Accession no: 0.1441
  • Sarah Kay 1830 – 1906

    Anthistiria australis and Comesperma calymega

    c.1880s
    watercolour on paper
    Accession no: 20078P36.4
    On display, Gallery 1
  • Odilon Redon 1840 – 1916

    Anthony: What is the point of all this? The Devil: There is no point!

    1896
    lithograph on paper
    Accession no: 7311G104
  • Ivor Francis 1906 – 1993

    Anti-Fascist

    1942
    oil on canvas on composition board
    Accession no: 819P49
  • Ingeborg Tyssen 1945 – 2002

    Anti-Fraser demonstration, Melbourne

    1975
    pigment print on paper
    Accession no: 20103Ph39
  • Jan Sadeler I 1550 – 1600 , after Maarten de Vos 1532 – 1603

    Antiochus

    1598
    engraving on paper
    Accession no: 097G544
  • Stephen Bowers (decorator) 1952 , Mark Heidenreich (potter) 1958

    Antipodean palaceware [vase]

    1989; and 1998
    painted underglaze decoration, overglaze gold lustre, decals & enamels on earthenware
    Accession no: 993C7A
  • Émile Rouargue 1795 – 1865 , after A Massetti

    Antonio Bazzarini

    c.19th century
    steel engraving on paper
    Accession no: 097G1119
  • Jan Sadeler I 1550 – 1600 , Raphael Sadeler I 1560/1561 – 1628/1632 , after Maarten de Vos 1532 – 1603

    Antonius

    c.1585
    engraving on paper
    Accession no: 097G548
  • Jan Sadeler I 1550 – 1600 , after Maarten de Vos 1532 – 1603

    Antonius

    1598
    engraving on paper
    Accession no: 097G533
  • Wenceslaus Hollar 1607 – 1677

    Antwerp Cathedral

    1649
    etching on paper
    Accession no: 4910G131
  • Jan Sadeler I 1550 – 1600 , Raphael Sadeler I 1560/1561 – 1628/1632 , after Maarten de Vos 1532 – 1603

    Anub

    c.1585
    engraving on paper
    Accession no: 097G570
  • Kunmanara (Tali Tali) Pompey 23 July 1945 – November 2011

    Anumara Piti - Caterpillar Dreaming

    2006
    synthetic polymer paint on canvas
    Accession no: 20093P25
  • Kunmanara Tjupuru Burton c.1939 – 2017

    Anumara Tjukurpa

    2011
    synthetic polymer paint on linen
    Accession no: 20117P38
  • Kunmanara Tjupuru Burton c.1939 – 2017

    Anumara Tjukurpa

    2008
    synthetic polymer paint on linen
    Accession no: 20087P48
  • Aleks Danko 1950

    Anxious moment

    1970
    brass, glass, fabric, chromed metal
    Accession no: 853S3
  • Ann Newmarch 1945 – 2022

    "Any more questions, gentlemen?"

    1975
    colour screenprint on paper
    Accession no: 20056G80
  • Robert McFarlane 7 September 1942 – 19 July 2023

    Anzac Memorial damaged after storm, Brighton, Adelaide

    1961
    pigment print on paper
    Accession no: 20103Ph34
  • Jan Sadeler I 1550 – 1600 , Raphael Sadeler I 1560/1561 – 1628/1632 , after Maarten de Vos 1532 – 1603

    Apelles

    c.1585
    engraving on paper
    Accession no: 097G563
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.