Works

AGSA respectfully advises Aboriginal and Torres Strait Islander peoples that this site includes the names and images of deceased people.

Walter Crane 1845 – 1915

The stranger appearing to Midas

1892

pen & coloured inks, watercolour, white gouache on paper

Accession no: 07D7
Jacques Callot 1592 – 1635

The strappado (L'estrapade)

1633

etching on paper

Accession no: 494G24
Giuseppe Maria Mitelli 1634 – 1718 , after Annibale Carracci 1560 – 1609

The street bricklayer

1660

etching on paper

Accession no: 084G2127
Lois Carne 1903 – 1995

The stubble paddock

c 1933

drypoint, printed in brown ink on paper

Accession no: 915G32
Florence Martin active 1876 - 1893 – 1893/1893

The student

1883

oil on canvas

Accession no: 0.49
Pip Comport 1922 – 2023

The students

2001

pencil on paper

Accession no: 20205D13.17
Stanislaus Ostoja-Kotkowski 1922 – 1994

The studio

1951

pen & ink on paper

Accession no: 953D19
Nora Heysen 11 January 1911 – 30 December 2003

The studio

1931

woodcut on paper

Accession no: 8912G43.6
Tanba Shuji 1828 – 1908 , Mizoguchi Gekko active c.1870

The study of grasses (Oshie gusa)

1872/1876

20 leaves, woodblock print, ink and colour on paper

Accession no: 20162G4(a-v)
Pietro Testa 1612 – 1650

The suicide of Cato

1648

etching, drypoint on paper

Accession no: 084G2177
Utagawa Hiroshige 1797 – 1858

The Sumiyoshi Shrine Festival at Tsukudajima (Tsukudajima Sumiyoshi no matsuri)

1857

woodblock print, ink and colour on paper

Accession no: 401G13
Narelle Autio 1969

The summer of us

2009

18 inkjet prints on paper

Accession no: 20114Ph8(1-18)
Dalziel Brothers (engraver) , after Edward Burne-Jones 28 August 1833 – 17 June 1898

The summer snow

c 1863

wood-engraving on paper

Accession no: 573G5
Utagawa Kuniyoshi 1798 – 1861

The sumo wrestlers Shiranui Dakuemon (centre left), Tsurugizan Taniemon (centre right) with referee Shikimori Inosuke and seated judge (left), the elder (retired) westler Miyagino (right)

late 1830s-early1840s

woodblock print, ink and colour on paper, triptych

Accession no: 759G76
Lloyd Rees 1895 – 1988

The sun at Sandy Bay

1983

lithograph on paper

Accession no: 20024G52
Barbara Hanrahan 1939 – 1991

The sun is up

1983

wood-engraving on paper

Accession no: 987G70
Ceri Richards 1903 – 1971

The sunken cathedral (La cathedrale engloutie)

1962

oil & collage on canvas

Accession no: 0.1982
Charles P Mountford 1890 – 1976

The sunlit porch

c 1928

gelatin-silver photograph

Accession no: Ph22
George Freeman (attributed) 1842 – 1895

The Supreme Court, Victoria Square, Adelaide

c 1870-80

albumen-silver photograph

Accession no: 791Ph38
attributed to Giuseppe Niccolò Vicentino active c.1540-c.50 , after Girolamo Francesco Mazzola 1503 – 1540

The surprise

c 1530-40

chiaroscuro woodcut printed in black, green & brown inks on paper

Accession no: 084G1983
Mortimer Menpes 1855 – 1938

The surrender of Breda (after Velasquez)

c 1906

letterpress half-tone print

Accession no: 20193V29
Utagawa Hiroshige 1797 – 1858

The Suruga Bank of the Oi River near Shimada (Shimada Ôigawa sungan)

c 1833-34

woodblock print, ink and colour on paper

Accession no: 20033G33
Barbara Hanrahan 1939 – 1991

The sweetening of the year

1983

wood-engraving on paper

Accession no: 987G72
Chris Ofili 1968

The swing

2020/2023

oil, charcoal on linen

Accession no: 20235P24

On display, Gallery 16
C. Cockerham 20th century

The S Y Adele

1907

oil on canvas

Accession no: 782HP1